Motley Crue fans can now keep up with all the latest news on Nikki Sixx via the social network FACEBOOK.  If your already registered on Facebook, you can join the Official Nikki Sixx Facebook page, maintained by Nikki’s management. Click the following link to become a fan! http://www.facebook.com/pages/Nikki-Sixx/96943760335

Photo By John Lucas, Edmonton Journal

REGINA  — Mere moments before the curtain dropped before Motley Crue’s highly anticipated show at the Brandt Centre on the band’s “Dead of Winter Tour,” a wall of fire and loud cannon blasts alerted the crowd that this was no Lawrence Welk concert.

After knocking the crowd collectively back a foot or two, the heavy metal quartet took the stage at 10:05 p.m. to the delirious cheers of a nearly full house. The sonic blasts and fire were a recurring event throughout the Los Angeles band’s set, which was to be expected due to their grandiose nature.

Starting their set with the 1989 smash “Kick Start My Heart,” the crowd roared appreciatively as vocalist Vince Neil belted out the opening notes and drummer Tommy Lee wailed on his oversized drum kit.

The stage set up was relatively minimalist compared to previous tours, though was more than compensated by the immense lighting and pyrotechnic production. A standard full-sized stage, the Crue had the left side of the stage packed with a pyro rig that periodically shot off fireworks, flames, and multiple sonic booms during the set. Eschewing the use of LCD screens or any video, the backdrop was a rather understated silver and charcoal, which would be lit up in various colors by the lights during the set.

Lee’s kick drum was at least four or five feet tall and adorned with gears and flywheels, while guitarist Mick Mars had 12 Marshall cabinets, stacked 2×6 high, taking up much of the right side of the stage.

Musically, the Crue were tight as a vise, as Mars and bassist Nikki Sixx wailed on their guitars, and Lee further cemented his status as one of the best drummers of his generation. Neil was solid, as per usual, as the 48-year old vocalist is great at what he does, but struggles with the high notes more than he did in his heyday.

Regardless, this was meant to be a gritty rock concert, not American Idol, so no one seemingly noticed, nor cared.

One of the more interesting points of the set came when Sixx, widely considered to be the heart and soul of the metal mavens, took the mike during one interlude and asked the crowd to loudly repeat after him the following: “God, please help Motley Crue from self-destructing so they can come back next year for their 30th anniversary tour.”

Understandably, the arena went wild as it dawned on them that the super group would likely be back soon.

For those familiar with the bands’ troubled past, having dealt with much infighting, substance abuse, and personal suffering and loss, it was a heartfelt moment that gave promise that the foursome had found happier times. In fact, the guys, who at times had gone years without having meaningful conversation, seemed to be quite pleased to be in each other’s company throughout.

The set was a fair length at 82 minutes including an encore that included Lee helming a piano at the start and conclusion of “Home Sweet Home,” before the Crue ended the evening with a rousing rendition of “Dr. Feelgood.”

While one could argue that the absence of some of the hits and a more elaborate stage show could be a sign of the group pulling some of their punches before launching the big guns next year on their anniversary tour, it really seemed like the group was focusing on stripping things to the basics.

At the heart of it, Thursday’s Motley Crue show was exactly what people thought they were paying for — a loud, fiery, and fun rock concert.

Vince Neil Of Motley Crue

WHO:

Vince Neil

WHAT:

Vince Neil is celebrating his birthday with the ultimate bash and is inviting everyone in Vegas to join him. Special guests Dinner For The Music Gods will kick the evening of great music off and then Neil will rock the house with a special performance. House-band Blandini will take the stage afterward to keep the energy flowing into the early morning hours.

This is guaranteed to be the party of the year with great food and drinks specials, live music and possible celebrity friends showing up to wish Neil a Happy Birthday.

WHEN:

Saturday, Feb. 6, 2010

8:30 p.m. – Party kicks off

9:30 p.m. – Special live performance by Dinner Music For The Gods

10:30 p.m. – Vince Neil Band performs

Into the early morning hours – Blandini performs

WHERE:

Feelgoods Rock Bar & Grill

6750 West Sahara Ave.

Las Vegas, NV 89146

ADDITIONAL INFORMATION:

Admission price is $15 at the door. Table reservations are available. For more information or to make a reservation, please call 702-220-8849 or visit www.feelgoodsvegas.com

Mick Mars has a fused spine and can’t move his head, but there’s nothing wrong with his hands.

The Mötley Crüe guitarist suffers from ankylosing spondylitis, a chronic autoimmune arthritic disorder that has caused the top and bottom of his spine to fuse.

“It’s a bit difficult to deal with. I’ve had a hip replacement too, but A.S. is extremely rare to go into your hands and feet. It can affect your neck and shoulders, but rarely does it go into your hands. I can’t move my head and say yes or no, but it doesn’t affect my guitar playing,” says Mars, a founding member of the Los Angeles hard rock band who has stayed true to the Crüe through all its ups and downs and lineup changes, no matter how much pain he was in.

In the 1980s the glammed-up rockers – Mars, vocalist Vince Neil, bassist Nikki Sixx and drummer Tommy Lee — lived the clichéd rock star life filled with sex, drugs, stints in jail, trips to rehab and marriages to models and TV stars.

The hedonistic details of the band’s wild times were documented in the 2001 memoir The Dirt, and supplemented with books by Sixx and Lee.

The Dirt revealed the inner workings of the band and the friction between members, but Mars says that’s all in the past now and the group is a perfectly functional unit.

“When we get together, all four of us, it’s like a family reunion kind of thing, you know? We all do our own stuff on our breaks and when we get back together when we do a tour it’s like, drop the nonsense, it’s time to get back to what we do best, which is Mötley Crüe, and all the bad stuff disappears,” he says.

The band achieved stardom in the 1980s on the strength of albums like Shout at the Devil, Theatre of Pain and Girls, Girls, Girls. Following the release of their most successful album, 1989’s Dr. Feelgood, Neil left the band for one album and started a solo career. He returned to record 1997’s Generation Swine, but Lee was unhappy and split to start his solo ventures, which included a rap-metal band, Methods of Mayhem.

In 2005 the original lineup reunited and have hit the road every year since (stopping in Winnipeg in 2005, 2006 and 2008) and released a new studio album, 2008’s Saints of Los Angeles, based on The Dirt.

There is also talk of a movie based on the book, but so far none of the scripts have done the band justice other than making it look like the Monkees, Mars says.

“I think they purposely left out the juicy parts, but they put the parts in when we drove down the streets with my ass hanging out of the bus. They were trying to make it lighter and all fun and games, but it wasn’t all like that. It was a lot of ups and downs,” he says.

The band appears to be on an up right now. They have started their own music festival — Crüe Fest — and Mars is constantly working on riffs for a new album.

“I’m sure we all have- stuff we could get together and collaborate on. I’m positive that we’re going to keep doing what we’re doing, like the Stones, and we’ll keep reinventing ourselves. Madonna is a good example of that.

Not to compare ourselves to Madonna, but putting out new music and

new looks but remaining true to what you are and what you are about is a key factor,” he says.

Winnipeg Free Press

The Motley Crue Official Store at Live Nation is kicking the new year off with extended free shipping on any order over $80! This Offer is good for standard shipping to any address in USA ONLY. This free shipping offer ends February 15th!

Click the following banner to take advantage of this great offer!

Next year, Motley Crue will celebrate 30 years of full-on rock ‘n’ roll debauchery.

They will probably celebrate with spectacular stage extravaganza somewhere near their old Sunset Strip stomping grounds and continue with an extensive world tour.

Perhaps the thought of that milestone is why the Crue has taken a simpler approach to their Dead of Winter Canadian tour, which made a stop in Calgary last night.

About 9,000 fans watched the four-piece glam-metal band as they made their way through more than a dozen of their classic hits and newer tracks.

With nine studio albums to their credit, Motley Crue could have played longer than the relatively short 80 minutes they did.

But the band managed to cram in the songs the fans— or at least the people with a passing knowledge of the Motley Crue — wanted to hear.

Looking more well-fed than in his heyday (yet better than he has in recent years) singer Vince Neil ran around the stage like an aerobics instructor as he belted out the first song, Kickstart My Heart.

It certainly kickstarted the crowd, some of whom still sported the same hairstyles they had in high school.

In 1987.

Neil could still hit the high notes and, as opposed to other times I’ve seen him, looked like he wouldn’t want to be anywhere else.

The energy stayed high as the band ripped through Wild Side and Shout at the Devil. Unlike Guns n’ Roses, who played the ’Dome a little more than a week ago, Motley Crue didn’t try to shove too many new songs down the crowd’s throat.

They sneaked in the fist-pumping title track from their 2008 release, Saints of Los Angeles early on in the show, but kept the set streamlined and focused mostly on the tried-and-true hits such as Looks That Kill, Don’t Go Away Mad (Just Go Away), Same Ol’ Situation and Girls, Girls, Girls.

Bassist Nikki Sixx acted more like a lead guitarist, whipping his instrument around and holding it up in the air in a typical rock star pose several times. Guitarist Mick Mars, on the other hand, didn’t move around too much due to a painful conditioncalled ankylosing spondylitis.

Still, when he had his moment in the spotlight he proved that he is one of the best — if most underrated —guitar players of any genre.

As of press time, drummer Tommy Lee, himself a fantastic musician, had yet to drag out the infamous Tommy Cam. It’s probably for the best given the state of some of the more, um, extroverted fans.

Australia’s Airbourne had the tough task of opening the show. While very few people had taken their seats in the tiers, the floor was surprisingly full and very receptive to the band’s AC/DC-like power rock. Singer Joel O’Keeffe shares an eerily similar raspy squeal to late AC/DC singer Bon Scott and the band play their stomping, dumb-as-bricks rock with such joyful energy there is no way you can resist them.

The Joe Perry Project pretty much had a built-in audience thanks to Perry’s association with another band you may have heard of — Aerosmith.

But with Aerosmith currently on a singer-induced hiatus, Perry is putting his considerable guitar-playing talent to good use in JJP.

Perry treated fans to old Aerosmith classics such as Toys in the Attic, Walkin’ the Dog and Walk This Way with German singer Hagen Grohe taking over lead vocal duties from Steven Tyler.

The band performed a few tracks from its latest CD, Have Guitar, Will Travel, including the first single, Long Way to Go, a decent rocker that starts off like Aerosmith’s Love in an Elevator but ends up sounding like The Strokes with more hard-rock guitar flourishes.

It’s not Aerosmith but I’m pretty sure I could watch Perry play guitar with just a cowbell backing him up and still enjoy it.

by Lisa Wilton
www.sunmedia.ca

—————————-
BRAND NEW MERCH FROM DEAD OF WINTER TOUR
NEW – Dead Of Winter 2010 Crue Babydoll

All new merchandise from the 2010 Canadian DEAD OF WINTER Tour is NOW AVAILABLE! Click the links below for more info on each item!

NEW – Motley Crue Authentic Hockey Jersey

NEW – Dead Of Winter 2010 Crue Babydoll

NEW – Dead Of Winter Motley Pullover Hoodie

Nikki Sixx has updated his myspace blog with the following message regarding his relationship with tattoo artist Kat Von D.

“I want to wish Katherine (Kat Von D) nothing but the best in her life. She has loved and inspired the hell outta me and I know I have done the same for her in these almost two years we ruled the earth together. We are taking a break from our relationship  for reason’s that we will choose to keep personal. You won’t find me saying a bad word about her and I don’t believe visa versa… we have too much wonderful history together to ever deface that.”

Motley Crue wows Victoria crowd in tour kick-off
By Mike Devlin, Times Colonist

On paper, this was a triple-bill that looked great: Aussie rockers Airbourne, who are nothing if not a faithful re-branding of AC/DC circa the Bon Scott era; the Joe Perry Project, a sloppy but entertaining throwback to the days of early Aerosmith; and Mötley Crüe, those bad boys of the Sunset Strip who are surviving and thriving well past their due date.

In execution, it was a study in contrasts. Which is a nice way of saying it was a mish-mash of styles and sentiments. Not bad, but not great, either. Until it came to the night’s headliners. Then it got crazy good.

Mötley Crüe’s Dead of Winter tour kicked off last night at the Save-on-Foods Memorial Centre before a near capacity audience of 5,300, which advance reports peg as one of the better turnouts of its 10 dates in Canada.

Leave it to Victoria to represent where rock ‘n’ roll is concerned. The Crüe was in expert form and the audience was ready to party. Call it a match made in hard rock heaven.

The band opened with a blaze of pyrotechnics that shrouded Kickstart My Heart, Wildside, and Shout at the Devil in a blanket of smoky sparkles and concussion bombs. As if there was any other way to open a concert that was a fitfully so-so affair until shortly after 9:15 p.m., when singer Vince Neil, bassist Nikki Sixx, drummer Tommy Lee and guitarist Mick Mars took the stage.

In the ’80s, they were a curious mix of hairspray, drugs, and rock ‘n’ roll. In the early days of 2010, they are the absolute essence of rock ‘n’ roll.

“I love you f–kers,” Tommy Lee said. “Can I get a hell yeah?”

You can get a hell yeah, and whatever else you want after that performance, Tommy. Because the Crüe were assassins last night.

Pyro was the name of the game, from Same Ol’ Situation to Girls, Girls, Girls. But the rock of the foundation was Tommy Lee. He drummed his skinny behind off all night.

Mick Mars, the band’s perpetually hunched-over guitarist, was also a fountain of spunk on this night. During his solo turn, he rattled off a slide guitar workout that included snippets of Jimi Hendrix’s Red House — a fitting turn given Mars’s background as a blues guitarist.

Neil, as always, was the weak link. But he was definitely better than the last time he was in town, back in 2006, when he couldn’t carry water. The band, as a whole, wasn’t great back then, but they returned to form last night, for which pop-metal fans were obviously thankful.

For a band that was deemed utterly irrelevant during the 1990s, Mötley Crüe’s brand of sexed-up rock ‘n’ roll appears to be tailor-made for 2010. Enough time has passed that we can forget the band’s past transgressions.

Its music doesn’t sound any better now than it did 20 years ago, but the Crüe haven’t lost a step in terms of their live performance.

Airbourne who were up first, had the necessary tools but not the audience to make major headway during their 35-minute set. The Aussie rockers opened with Stand Up For Rock ‘n’ Roll and Cheap Wine Cheaper Women, which tells you everything you need to know about the group.

Here’s another tidbit of information: Airbourne had 14 amps for three guitarists. If that ain’t rock ‘n’ roll, I don’t know what is.

Joe Perry of Aerosmith opened with Let the Music Do the Talking, which included bits of Draw the Line, two Aerosmith tracks that endeared him to an otherwise indifferent audience. He was smart to tackle Aerosmith’s Toys in the Attic, Walkin’ the Dog, Train Kept-A-Rollin’, and Walk This Way, but the songs from his fifth solo CD, Have Guitar, Will Travel, fell flat.

Perry’s singer Hagen Grohe, who was discovered by Perry’s wife, Billie, on YouTube, was similar to Aerosmith singer Steven Tyler but only in delivery. He had zero stage presence, which is even more than Perry had.

There’s a reason why Perry is the guitarist in Aerosmith, because he ain’t no singer.

That’s all well and fine. The Crüe were the headliners on this night, and they earned every iota of my respect.

mdevlin@tc.canwest.com

Vince Neil has added a few dates to his US solo tour schedule.  Confirmed dates are as followed.

2/11/10  St. Charles, MO – Bottleneck Blues Bar
2/12/10 Kansas City, MO – Star Pavilion
3/12/10  Rip Puerco, NM – Rio 66 Casino
4/10/10  Wendover, NV – Peppermill Concert Hall
4/14/10  Scottsdale, AZ – Westwood
5/15/10  Richardson, TX – Wildflower! Festival
6/19/10  Columbia, MD – M3 Festival – Merriwether Post Pavillion
7/24/10  Sioux Falls, ND – Dakota Rock Festival